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Yeah. Meant last week's.Quoth Jester View Post
I'm going to assume you mean the third episode, and not this last one, as this last one was in fact written by Moffat.
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I'm not thrilled with the writing but I'm really liking Capaldi as the Doctor. The episodes so far this season has felt like being teased with no happy ending...like the writing is about to be brilliant and then just totally loses steam.A crisis is a problem you can't control. Drama is a problem you can, but won't. - Otter
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Does The Doctor still call people "Pudding Head" or "Pudding Brain"? I thought I remembered that from the "Robin Hood" episode or the "Listen" episode.
Also, in the Robin Hood episode, at the end when the sheriff falls into vat-o-molten gold, are those his hands at the end, like he was trying to climb out?
Was the sheriff actually a robot?
Also, in the latest one, my wife posits that the entire premise was that The Doctor did all of that because he's afraid of the dark. He basically messed up Clara and Dan's date, and messed with Dan's head, because he's afraid of the dark.
She also believes that the color pink (as in Daniel Pink) is relevant somehow (the same with Journey Blue from the "good dalek" episode). Though it's strongly implied that Clara was related to Orson (whom at first, because of the accent, I thought was named "Awesome") in some way.Last edited by mjr; 09-16-2014, 12:11 PM.Skilled programmers aren't cheap. Cheap programmers aren't skilled.
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I think he used "Pudding Head" in Robin Hood.Quoth mjr View PostDoes The Doctor still call people "Pudding Head" or "Pudding Brain"? I thought I remembered that from the "Robin Hood" episode or the "Listen" episode.
Yep.Also, in the Robin Hood episode, at the end when the sheriff falls into vat-o-molten gold, are those his hands at the end, like he was trying to climb out?
Heavily implied that he, like Robin, were real but lost to time.Was the sheriff actually a robot?
Clara actually outright stated that. "The big bad Time Lord is afraid of the dark." Which the outright stating of all these things is what's killing the season for me.Also, in the latest one, my wife posits that the entire premise was that The Doctor did all of that because he's afraid of the dark. He basically messed up Clara and Dan's date, and messed with Dan's head, because he's afraid of the dark.
He's her great-grandson. Pretty much stated again. "Time travel...it runs in the family. One of my grandparents... Or great-grandparents..."She also believes that the color pink (as in Daniel Pink) is relevant somehow (the same with Journey Blue from the "good dalek" episode). Though it's strongly implied that Clara was related to Orson (whom at first, because of the accent, I thought was named "Awesome") in some way.
Danny's either getting added to the Companion roster or is Clara's exit stratagem.
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I'm on my phone ATM. Jumping back and forth between programs is frustrating.Quoth Moirae View PostUmmm, google it. He's a new companion. And probably also an exit strategy.
Besides, it's not like Moffat isn't hitting us over the head with the "he's important!" bit.
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Thing that gets me is we keep going back to old ideas and acting like it's something fresh, when the old idea did it better—or else does a callback to an episode that handled a similar concept better. Or, sometimes, directly conflicts with or ignores the older episode or idea.
"Deep Breath" was just a lengthy callback to "Girl in the Fireplace", taking a generally-comedic episode with a few creepy factors and playing it totally serious (except for the Paternoster trio), but that one fell flat on it's own merits more than being overshadowed by what it referenced.
"Into the Dalek" kept reminding me of Eccleston's episode "Dalek", particularly with the "you are a good Dalek" line. But in the older episode, in addition to is just being all-around better, the line was a bitter condemnation, while here, it was a confused attempt at praise. The older one did it better.
Plus, and here's my bigger issue, what's this thing about "there are no good Daleks"? What about Dalek Sec, who decided that hatred was detrimental to the survival of the Daleks and tried to remove his race's hard-coded genetic hate? And what about Dalek Caan, who saw the entirety of the Dalek race and rejected it, then manipulated Davros into setting up their absolute destruction? I'd even say the lone Dalek from Eccleston's episode was developing a more balanced morality.
I have a feeling someone will suggest that the Doctor just forgot them, but that's a cheap excuse for ignoring continuity, plus I don't buy it in Caan's case. That whole event was too huge for him to just forget about it completely.
Anyway, Robot of Sherwood, while being one of the more enjoyable episodes this run, really pushes the whole "The Doctor is a Cynic Now" thing. And... that's kind of antithetical to most of the show's run up until this point. I don't mind a grimmer Doctor, but, well, I kind of liked that bit about "it's about the triumph of romance and intellect over brute force and cynicism". Plus... we've already done robots just two episodes ago. And this whole "promised land" thing is pretty clearly this season's arc words, but it's just too blatant in comparison to "bad wolf" and "knock four times". Moffat really doesn't do subtle, does he?
And this time... a creature that evolved to be perfect at hiding? Wow, it almost sounds like the Silence. Or the Weeping Angels. Or the Vashta Nerada. All of which are from Moffat episodes. And then the whole thing just felt forced after that. When they went back in time and met young Danny, the Doctor had a perfect opportunity to see what the things were, and adamantly refused to take it. So then he went forward to the end of time and risked all of their lives for another opportunity. And then the episode implied there was never anything there to start with.
All in all... it just keeps getting more and more frustrating to watch.» Horse Words «·» Roleplaying Stuff «
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Time Heist. Interesting. Odd. Probably the best episode yet of this new season and new Doctor. Definitely Capaldi's best performance yet. No brooding, wishy washy " am I a good man?" nonsense.
And yet.
And yet, still there's a feeling of the story being muddled. It's becoming clear to me that the problem with the new Doctor is not the new Doctor. Capaldi is coming into his own. The scripts, however, are not. The problem with the new Doctor, in my opinion, is the damn writers. They're really not giving Capaldi or Coleman, or anyone else for that matter, much to work with.
Clearly Moffat needs to step down as a writer, because, from what I've seen, as a writer he basically sucks great big giant Dalek balls.
"The Customer Is Always Right...But The Bartender Decides Who Is Still A Customer."
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Yep. I've been saying that since last season >.<Quoth Jester View PostClearly Moffat needs to step down as a writer, because, from what I've seen, as a writer he basically sucks great big giant Dalek balls.
Definitely liked Time Heist. I wasn't looking at my phone wondering how much time had passed, which is a first this season. But the telly exposition at the end has to stop, FFS. I loved the reveal of all the rewards, I loved the twist of "we're not dead", but I hated how preachy it got around the Director. And how repetitive it was. Bleah.
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Everyone In The Room Watching: "GOD DAMN IT!"Quoth Clara"It's a play!"» Horse Words «·» Roleplaying Stuff «
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Moffatt must be on some good stuff. The moon is an egg? And the spider-like creatures are "bacteria"?
Then he leaves the decision up to an astronaut after her two Red Shirts have died, Clara, and Courtney? Clara stops the countdown just before the nukes go boom, then the Doctor herds everyone into the Tardis to watch the creature hatch and lay ANOTHER moon-like egg??

Quotable Quotes:
The Doctor (pointing): "NASA's about 2,500 miles that way..."Skilled programmers aren't cheap. Cheap programmers aren't skilled.
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